homobuenosaires:

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Srijon Chowdhury

↑ Red Morning Glory, Red Knife (2019).

↓ Red Glowing Morning Glory, 2018, oil on linen, cm. 101,8 x 76,2

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↓ Rose in Hand, oil on linen, blackberry vine, cm. 21 x 16

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(source: Exhibition Before Dreams)

Unconventional angles

 Vivienne Muggler (On Reddit)

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arjuna-vallabha:


Chef oriental
 by Georges Antoine Rochegrosse

Orientale 

1892 - Oil on wood -35,6 x 26,5 cm

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dummy-kanji:

(vía “Berenice” by Motohiko Odani | Motohiko Odani | Pinterest | Escultura)

white sabbath (Berenice), Venice biennale Japan Pavillon 2003
Motohiko Odani 小谷 元彦
(His website Phantom Limb)

“I think this is both Japanese artists’ strength but also their weakness. Yes, the response of being impressed by the details is different to looking properly at the work itself. I think we have reached the point of it being dangerous. It might be something characteristic to Japanese. By becoming too technical, there is a danger that art is not an open expression but just self-expression.” 
(source tokyoartbeat)

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About loneliness, heartbreak and melancholy 

 by Wensley Pasion
 from O'ahu, Hawaii (his site)

b22-design:

Chris Buzelli - New Perspective

“I’ve learned not to use certain colors because they take forever to dry—like white, so a lot of my whites are the white of the board. Usually with oil paint you build up. I’m doing the opposite. I’ve learned ways around it.”
- Chris Buzelli (Source Chronogram)


↓ The Patriot, oil on wood

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needfulthings1:

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RON FRANCIS

WALKING LEVIATHAN

2017

oil on canvas

“I work mostly from imagination, inventing scenes and trying to make them as real as I can. This causes me to study how things work in the natural world, particularly how light interacts with objects and environments, so I can more easily recreate it on canvas.“
-Ron Francis (Source thearticle.com.au)

STORMWATER
same year

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Art by Fenghua Zhong 钟风华

 ↑ 1. “Spider” 
    2. “White Bone”
 ↓ 3. “Fat Chiu” 

His website

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lunariagold:

I was instantly entranced when I first saw Melissa Cormier’s mysteriously shifting, organic paintings and drawings. Intricate textures and dissolving colours always entrance me. Her work never fails to leave me wondering whether I am gazing at a strange animal’s organ, wondrous plant or a whole surreal world reminiscent of ithell colquhoun’s fantastical landscapes.  

site: https://taplink.cc/armcstudio

https://www.instagram.com/armcstudio/

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Cockatoo watercolors

 by Taaye
 (her website)

immafuster:

Kazuo Shiraga - Suiju, 1985 oil paint on canvas Exhibition - Axel & May Vervoordt Foundation, Belgium

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